![]() ![]() 1 in D minor (with Genevieve Feiwen Lee, piano) Di Grazia, conductor and Adrien Redford, baritone) Bloch – Avodath HaKodesh (Sacred Service), Part I (with the Pomona College Choir, Donna M.Bernstein – Symphonic Dances from West Side Story (Watch here).1 for quasi-synchronous ensemble ( Listen here) William Appleton ’14 – Give Up to Grow ( Listen here).The audio platform Cleanfeed enabled something approaching a live ensemble experience, and post-performance editing brought the final document to the level of synchrony that would have been possible in an in-person setting. The performance projects were, in each semester, a new piece composed in response to the challenges posed by online ensemble playing, including the inevitable time lags arising from having participants from all over the world. Also featured were guest appearances from the worlds of orchestra administration, music education, and instrument repair, as well as a presentation by LA Philharmonic concertmaster Martin Chalifour. Classroom-style meetings included such topics as “The Best Beethoven Symphony You Don’t Know Very Well,” an examination of the Venezuelan music education program El Sistema, the history of the Leipzig Gewendhaus Orchestra, and the music and career of Joan Tower. Zwilich – Cello Concerto (with Maggie Parkins)ĭuring the 2020-21 academic year, the orchestra operated in a hybrid format.Price – Song of Hope (with Melissa Givens, soprano and the Pomona College Choir, Prof.Nicolai – Overture to The Merry Wives of Windsor. ![]() 2 in D (with Hannah Caris ’23, winner of the 2022 PCO Concerto Competition) Hensel – Hiob (with the Pomona College Choir, Prof.Haydn – Te Deum (with the Pomona College Choir, Prof.70 (listen to the first & second and third and fourth movements) Oliver Dubon ’20 – Transient Moments (world premiere).Brahms – Schicksalslied (with the Pomona College Choir, Prof.
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